Electronic music, DJ culture and nerdism
24 Jun
I got so much positive feedback for my recent Swing House mix that I just had to do another one. So here we swing again!
Nerditional information:
Both Sarah Vaughan tracks are on the awesome Verve Remixed Vol.3 compilation. Verve is a truly classic Jazz label that was founded in 1956(!) and is still active today, and they opened up their archives to a couple of good remixers in the last few years. If you like a good blend of electronic music and Jazz, get these compilations! Yes, I mean all of them!
Mark Knight & Funkagenda’s “The Man With The Red Face” is - of course – a remake of Laurent Garnier’s classic. While this one was probably designed specifically for Ibiza’s dancefloors, I still like it for its dynamic and truly anthemic sound.
Oh, and did I mention that I can’t get enough of Parov Stelar’s sound?
Tracklist:
17 Jun
Have you ever watched a fire at night? I find it totally fascinating to just look into a fire and follow my own thoughts.
I don’t know if you can follow me here, but this DJ set tries to capture a similar mood: The contrast between cold darkness and a bright fire that dances in the dark…
Nerditional Information:
The opener track “Blaue Moschee” by Die Vögel is one of those strange hits that pop up from time to time: It’s a real dancefloor burner in the clubs right now even though it sounds very strange and different to other Techno tracks. Nevertheless, I really like that trumpet sound here, and it’s rare to have that swing feel in a Techno track.
I have been following Hardfloor for years now, and I am still fascinated with their simple yet anthemic Acid productions. They just keep releasing great tracks, and they have been around for a long time already. Their other project Dadamnphreaknoizphunk is also worth listening to. While Hardfloor productions are usually straight Techno bangers, the tracks by Dadamnphreaknoizphunk are more on the Trip-Hop side.
Leschet & Wilde is a duo from Cologne that is already famous for their wild live acts. Irwin Leschet, one half of that duo, is also a resident of the regular Silberschwein-parties that has a real pig-shaped disco ball as a mascot. They also started with their own label a while ago, and the first two releases are already great examples of how you can make deep dancefloor music without being cheesy or overly abstract.
Finally, I would like to highlight the track “Zoom” by Barem. This is a great example for a netaudio release that you can even download for free . I am often impressed by how much great electronic music is available for free on the net – makes one wonder about those superstar DJs even more.
Tracklist:
13 Jun
While skipping through a few older posts, I found this post containing a video that was no longer hosted on the video platform where I originally got it from.
A broken reference on a music blog might not seem like a big deal, but this particular case is one that I find very annoying. I am talking about the video “Stylo” from the Gorillaz.
Normally, when I am looking for a video, I go to YouTube, like most people do. For me, YouTube (and other video portals) have become the true successor to MTV since they stopped concentrating on music. YouTube is usually a great source for music video from all different genres, and I often use YouTube videos as references.
However, a while ago, YouTube introduced a technology called geoblocking . Essentially, what it means is that you can or cannot view certain videos depending on the country you are accessing that video from.
Geoblocking is relatively easy to circumvent, but when I referenced that video, I didn’t want to give my readers the hassle of having to figure that out. So I looked for a different source – and finally found one on Dailymotion. This worked for a while, but apparently it was an unauthorized video upload and they removed it.
Of course, anybody wanting to see the video will certainly find it, but this shows a serious problem of video portals: You can’t use them as an archive.
You can never know if any video will be taken down for legal or business reasons. And just because something is released in one country does not mean it will ever be accessible in any other country.
I can see the business logic behind this kind of decision, since from a marketing standpoint, you might want to have full control over what is realeased when in which country.
Nevertheless, from a cultural point of view, I am strongly against this kind of technology.
Music is an important part of our culture, and the internet should be used to enable access to it, not restrict it.
Anyway, the video is still cool, so here it is again. I hope it stays there.
10 Jun
Elodie & Thompson are doing what many DJs only dream about: Right now, they are spending their summer in Ibiza to get behind the decks of the local clubs.
I was lucky to catch them for an interview during a short visit at home in Germany. Here’s a DJ set from them – I could very well imagine enjoying that sound at the beach at night…
“Playing in Ibiza is different than playing in Germany. Of course, you also have a lot of party people in Germany, but the attitude is different. In Ibiza, you see the happiness on people’s faces, they really seem to shine. It’s rare to see that in Germany.” (Elodie)
Being fascinated with the island for quite a while, Elodie & Thompson decided to spend the summer living off of DJing for the summer and taking a hiatus from their day jobs. While this might seem risky when you’re not already a superstar DJ, the two sound quite confident about their plan.
“I speak fluent Spanish, and that helps a lot in getting along with the locals. You might think it’s all about the tourists in Ibiza, but you can’t really achieve anything here without the locals. They own all the clubs, and they have their own networks. You have to get into those networks to be successful, and the first few days, we did nothing but run around, talk to people and give away promo CDs. Few give you paid gigs right away, but at least you get some opportunities and promotion gigs and that already helps.” (Elodie)
As a couple in and outside of clubs, they are unique in a business dominated by one-man-shows. Elodie & Thompson work and live together, and this seems to have a lot of advantages:
“It’s just so much more fun to play together. I had DJed alone before, but had not played for a couple of years because I just didn’t enjoy it as much as I used to. When we play together, we can complement each other very well. For example, when one of us has a bad night, we can still deliver a good set and one can push the other.” (Thompson)
“He is more of an artist than I am, but I guess I am the better manager. I just enjoy promoting us and our music, and I am also okay with playing gigs that are not 100% my style as long as the people there have a good time. As a DJ, there’s always a thin line between being an artist and being a professional entertainer, and walking this thin line can be a lot of fun.” (Elodie)
While they draw a lot of their motivation from the fun of DJing, they do have professional goals and are working on their career:
“Right now, we still have other jobs to keep us afloat. For example, I sometimes work as a light technician, and she works part-time for an online marketing agency. However, we do want to concentrate on making music and DJing, and we are working hard to be able to do that. We are thinking about a lot of things to push our career when we are back in Germany, but I think that our Ibiza experiences will definitely help us and we are also planning other things, like organizing our own parties, producing records and more.” (Thompson)
Tracklist:
3 Jun

Many electronic music lovers scoff at pop music for being superficial and cheesy. However, I think there is nothing wrong with good pop music. Big emotions can sometimes only be expressed with epic melodies – and after listening to this mix, I hope you’ll agree.
Nerditional information:
The Knife is probably one of the most interesting bands in the past few years. Their combination of alien soundscapes, unique vocals and an incomparable stage presence is miles ahead of most electronic producers.
IAMX is a band that I once discovered by accident during a festival. Their dark synth-pop sound would certainly qualify them for a Goth festival, but they still seem to appeal to a broader crowd. They are one of the reasons why I believe that “normal” electronic music and the darker flavors (Dark Wave/EBM/Industrial) are not that much different.
“Voyage Voyage” by Desireless is quite an old track (released in 1987), but I felt it just fit very well with the overall flavor of this mix. It seems that epic synth-pop was a huge thing in the 80s , and it’s good to see that this is still alive.
Oh, and if you haven’t seen it yet, check out the video for “Papillon” by the Editors!
Tracklist:
Image: http://www.flickr.com/photos/jliba/3934321280/ // CC-by-sa
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